Dick Clark dead at 82
Many of us, now in our fifties now, used to get up before 11:00 AM on Saturdays to watch “American Bandstand”. Dick Clark brought energy and joy to an American youth long before the lost of innocence, whose essence got lost deep inside the late 70’s and culminated in the late eighties; the greatest music contribution to the record industry. He was straight forward, respectful, funny and courteous. With a single appeal to the American public and a worldwide influence. His “American Bandstand” is now a part of Americana. He was the equisential element of a great generation: he’ll always remain in our hearts as the perennial teenager. Dead at 82 he is forever the ambassador of good music and happiness for our generation. Rest in peace Dick Clark and thank you for the great times and good will you propagated through out the world.
Long dubbed “the world’s oldest teenager” because of his boyish appearance, Clark bridged the rebellious new music scene and traditional show business, and was equally comfortable whether chatting about music with Sam Cooke or bantering with Ed McMahon about TV bloopers. He thrived as the founder of Dick Clark Productions, supplying movies, game and music shows, beauty contests and more to TV. Among his credits: “The $25,000 Pyramid,” “TV’s Bloopers and Practical Jokes” and the American Music Awards.
For a time in the 1980s, he had shows on all three networks and was listed among the Forbes 400 of wealthiest Americans. Clark also was part of radio as partner in the United Stations Radio Networks, which provided programs – including Clark’s – to thousands of stations.
“There’s hardly any segment of the population that doesn’t see what I do,” Clark told The Associated Press in a 1985 interview.
“It can be embarrassing. People come up to me and say, ‘I love your show,’ and I have no idea which one they’re talking about.”
The original “American Bandstand” was one of network TV’s longest-running series as part of ABC’s daytime lineup from 1957 to 1987. It later aired for a year in syndication and briefly on the USA Network. Over the years, it introduced stars ranging from Buddy Holly to Madonna. The show’s status as an American cultural institution was solidified when Clark donated Bandstand’s original podium and backdrop to the Smithsonian Institution.
Clark joined “Bandstand” in 1956 after Bob Horn, who’d been the host since its 1952 debut, was fired. Under Clark’s guidance, it went from a local Philadelphia show to a national phenomenon.
“I played records, the kids danced, and America watched,” was how Clark once described the series’ simplicity. In his 1958 hit “Sweet Little Sixteen,” Chuck Berry sang that “they’ll be rocking on Bandstand, Philadelphia, P-A.”
As a host, he had the smooth delivery of a seasoned radio announcer. As a producer, he had an ear for a hit record. He also knew how to make wary adults welcome this odd new breed of music in their homes.
Clark endured accusations that he was in with the squares, with critic Lester Bangs defining Bandstand as “a leggily acceptable euphemism of the teenage experience.” In a 1985 interview, Clark acknowledged the complaints. “But I knew at the time that if we didn’t make the presentation to the older generation palatable, it could kill it.”
“So along with Little Richard and Chuck Berry and the Platters and the Crows and the Jayhawks … the boys wore coats and ties and the girls combed their hair and they all looked like sweet little kids into a high school dance,” he said.
But Clark defended pop artists and artistic freedom, the Rock and Roll Hall of Fame said in an online biography of the 1993 inductee. He helped give black artists their due by playing original R&B recordings instead of cover versions by white performers, and he condemned censorship.
His stroke in December 2004 forced him to miss his annual appearance on “Dick Clark’s New Year’s Rockin’ Eve.” He returned the following year and, although his speech at times was difficult to understand, many, including other stroke victims, praised his bravery.
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